This audio recording is the outcome of collective listening during four weeks of lockdown in the city of Colombo. Taking the relationship of listening and body and the affect of one on the other as a starting point of their dialogue, the practice sessions at the arrival of monsoon in lockdown inevitably attended to the surrounding sounds of the outside entering the interior, as well as short neighbourhood walks. The work explores listening to the layered depths of close and distant biophony and how this mode of listening could move the listeners towards participation in this soundscape. How can a practice of listening be echoed in a process of performance-making, that understands itself as one of multiple layers creating a sonic landscape of the surrounding ecosystem? In the light of human-made ecological ruptures and constructed separateness between humans and other organisms, to both artists listening as a practice has yielded humble possibilities of re-encountering and reconnecting, as listening asks us to pause and be with the heard. The piece inquires how we can be with and mindfully generate from here. Isuru, incorporating his listening practice from music and sound art, and Sara involving her listening approach from the perspective of dance, come together with their mediums – an Esraj and Salangai (dance footbells) – in a sonic dialogue with each other, the neighbourhood soundscapes and the architecture of a living room, both bodies exploring movement and resonance, echoing somatic comprehension in a dance that listens and sounds.